#22 – Cover – John Ruskin ‘Blenheim Orange Apple c1873

inside:

Editorial: Jean Fautrier - ski instructor, jazz club owner, peripatetic printer, sculptor and painter.

Katie Puckrik celebrates the Japanese Fart Wars

Jean Cocteau’s ‘Salle des Marriages’ by Rosy Head

On Dementia: The Case of William Untermohlen

Suzanne Fagence Cooper on John Ruskin the environmentalist

.....et labora, curated by Bice Curiger at the Fondation Vincent Van Gogh, Arles

Sean Scully: Flying by the Seat of his Pants. By Charles Asprey

In memory: of Karsten Schubert 1961-2019

#21 – Cover – Camille Paglia photographed by Heji Shin

inside:

Hell Ain't a Bad Place to be by Charles Asprey

Camille Paglia On Alcohol and the National Minimum Drinking Age Act

Camille Paglia On Kenneth Clark's The Nude (1956)

Daniel Pflumm: Hallo TV

The Figures of Ain Ghazal

Sacha Craddock on Alberto Savinio

Arabic Typography - Lara Assouad's Alphabet

Alfred Kubin at The Lenbachhaus, Munich

Cady Noland: An everyday hardware of brutality - As told by Kirsty Bell

#20  – Cover – Design from a printed fabric, Paris c1850

inside:

Paul Lawrence on Centro Design Montefibre's publication Decorattivo

Kito Nedo on Gunter Fruhtrunk and his design for Aldi

Cumbrian Cosmopolitanisms: Hammad Nasar on Li Yuan-chia

Carl Williams on the hidden world of Gabriel von Schnell

Kirsty Bell on Black Flags, a work by the influential artist, curator, writer and teacher Ian White (1971-2013)

Nothing as Seductive by Gisela Schmalz

#19  – Cover – Keith Vaughan, Male figure kicking, draped in wet cloth, c1930s

inside:

John Berger: Turkey Then and Now. With a specially commissioned Turkish translation.

Peter Freeman on James Castle

The Critic as Artist: A Manifesto by Andrew Hunt

In Praise of....K.O. Götz

The Folkton Drums - editorial (SG)

Keith Vaughan - The Unseen Photographs

Matthew Antezzo On Polaroids

A Bruise by Saul Fletcher

#18 – Cover – #1 – Wolfgang Tillmans “The Hoist” 2016
inside:

Editorial: (CA) Some non-musical Performers in the Vauxhall Pleasure Gardens Post-1800

Extracts from Pepys Diaries 1660-1669

Godfrey Worsdale of James Worsdale

The Vauxhall Pleasure Gardens: A History. Extracted from the book by David Coke and Alan Borg, (Yale University Press 2011)

Book Covers Designed by Paul Nash (1889-1946)

Colin Lucas on Aesthetics

The Art World as a Community of Those Who Have Nothing in Common by Roger Cook

Sky News Live – by Simon Thompson & Ed Atkins

#18 – Cover –  #2 – Wolfgang Tillmans “The Eagle” 2016
inside:
Editorial: (CA) Some non-musical Performers in the Vauxhall Pleasure Gardens Post-1800

Extracts from Pepys Diaries 1660-1669

Godfrey Worsdale of James Worsdale

The Vauxhall Pleasure Gardens: A History. Extracted from the book by David Coke and Alan Borg, (Yale University Press 2011)

Book Covers Designed by Paul Nash (1889-1946)

Colin Lucas on Aesthetics

The Art World as a Community of Those Who Have Nothing in Common by Roger Cook

Sky News Live – by Simon Thompson & Ed Atkins

#17 – Cover – Sean Snyder Cloud Sediment (Gstaad) 2016 film still

Gillian Wearing Remembers Her Former Tutor Jon Thompson (1936-2016) Head of Goldsmiths Dept of Art, Artist, Writer and Key Figure in Post-War British Art

Harry Thorne on Artist, Film-Maker and Poet Jeff Keen (1923-2012)

Merlin James on Louis M. Eilshemius: Legend of the Avant-Garde

In Praise of Wooden Pencils by Charles Asprey

Georgiana Houghton: A Radical Artist from the 19th Century by Simon Grant

Robbie O’Halloran on Erika Verzutti

Lou Stoppard on Raf Simons’ New Collection SS16 inspired by Mark Leckey’s Seminal Film Firoucci Made Me Hardcore (1999)

#16 – Cover – A Design by Marc Camille Chaimowicz, 2015 – printed in 4 different colours on 4 versions of this issue.
inside:

Editorial (CA) We Remember Khaled Al-Assad (1932-2015)

Jo Melvin on William Coldstream & Film

You Want Glitzy New Cultural Centre in Backofbeyondistan? Don’t Call Shiegeru Ban by Stephen Bayley

Fiona Banner: I Am a Font

Fashion Stories at Between Bridges, Berlin by Lucy K. Moore

Collecting Art: Where has all the love gone? By Charles Asprey

Charles Pollock and Sandu Darie: Two Artists Who Should Be Better Known by Simon Grant

Editorial (SG): The World’s First Skyscapers Reduced to Rubble

Hepple Gin Advert

#16 – Cover – A Design by Marc Camille Chaimowicz, 2015 – printed in 4 different colours on 4 versions of this issue.
inside:

Editorial (CA) We Remember Khaled Al-Assad (1932-2015)

Jo Melvin on William Coldstream & Film

You Want Glitzy New Cultural Centre in Backofbeyondistan? Don’t Call Shiegeru Ban by Stephen Bayley

Fiona Banner: I Am a Font

Fashion Stories at Between Bridges, Berlin by Lucy K. Moore

Collecting Art: Where has all the love gone? By Charles Asprey

Charles Pollock and Sandu Darie: Two Artists Who Should Be Better Known by Simon Grant

Editorial (SG): The World’s First Skyscapers Reduced to Rubble

Hepple Gin Advert

#16 – Cover – A Design by Marc Camille Chaimowicz, 2015 – printed in 4 different colours on 4 versions of this issue.
inside:

Editorial (CA) We Remember Khaled Al-Assad (1932-2015)

Jo Melvin on William Coldstream & Film

You Want Glitzy New Cultural Centre in Backofbeyondistan? Don’t Call Shiegeru Ban by Stephen Bayley

Fiona Banner: I Am a Font

Fashion Stories at Between Bridges, Berlin by Lucy K. Moore

Collecting Art: Where has all the love gone? By Charles Asprey

Charles Pollock and Sandu Darie: Two Artists Who Should Be Better Known by Simon Grant

Editorial (SG): The World’s First Skyscapers Reduced to Rubble

Hepple Gin Advert

#16 – Cover – A Design by Marc Camille Chaimowicz, 2015 – printed in 4 different colours on 4 versions of this issue.
inside:

Editorial (CA) We Remember Khaled Al-Assad (1932-2015)

Jo Melvin on William Coldstream & Film

You Want Glitzy New Cultural Centre in Backofbeyondistan? Don’t Call Shiegeru Ban by Stephen Bayley

Fiona Banner: I Am a Font

Fashion Stories at Between Bridges, Berlin by Lucy K. Moore

Collecting Art: Where has all the love gone? By Charles Asprey

Charles Pollock and Sandu Darie: Two Artists Who Should Be Better Known by Simon Grant

Editorial (SG): The World’s First Skyscapers Reduced to Rubble

Hepple Gin Advert

#15 – Cover – Mark Leckey  Leckey Legs 2014 3D Polymer Print
inside:

Amnesiac Registration: Or an Attempt to Track an Ephemeral Image by Sean Snyder

Jennifer Higgie on Huguette Caland

Michael Bracewell: Morrissey at the Los Angeles Sports Arena, 8pm, May 10th, 2014

Emily King on designer Anthony Symonds

Adrien Henri by Antony Hudek

Christian Flamm on Graphic Designer Benoit Hennebert

#14 – Cover – Unknown Photographer; A massive explosion c1914
inside:

The entire contents of this issue are devoted to never previously published images by unknown photographer/combatants of World War 1, sourced with help from The Archive of Modern Conflict in London.

Our respects go to the amateur photographers of all ranks and armies who documented the realities of The Great War.

#13 – Cover – ‘Lily’ POP Magazine A/W 2013
inside:

Magazines: A Golden Age by Lucy K. Moore

Editorial (CA): Marek Piasecki: An Experimental Polish Photographer Rediscovered.

Editorial (CA): The Wayback Machine

Pirates and Farmers by Dave Hickey

Confluences by Lukas Duwenhogger

Editorial (CA) From Cow’s Urine to Canvas, The Curious Story of JMW Turner’s Indian Yellow

Colette Thomas by Paul Buck

The Patty Hearst Ident-I-Kit A.K.A. Hours of Fun 1974, by Carl Williams

#12 – Cover – Matt Mullican ‘Untitled’ ink on paper, drawing produced under hypnosis at the Power Plant Contemporary Art Gallery Toronto, Canada in 2007

inside:

Charlotte Goldney on Percy Bysshe Shelley’s Seditious Pamphlets

The Gee’s Bend Quilters by Simon Grant

Mark Tobey: An American Painter in Devon

Editorial (CA) The Whole Earth, Revisited

Editorial (CA) Nancy Hatch Dupree and her Afghan Archive

Kirsty Bell on From Buddha to Picasso: The collector Eduard von der Heydt at Museum Rietberg, Zurich

In Praise of…Modernist Factories by Joshua Abbott

Editorial: Want a new Face? A Brief History of 3D Printing

#11 – Cover – Frank Walter, Hitler Playing Cricket (with Antiguan Men) c1980
inside:

Editorial: Ten Things That you Need to Know about Frank Walter

Bice Curiger on Meret Oppenheim (1913-1985)

Djenné: Mali’s Other Treasure House of Important Manuscripts by Cathy Collins

The Games Master: Picpus Talks to the Man Behind Tetris, Alexey Pajitnov

That Magical Element: Alessandro Raho on the Photography of Slim Aarons

Who is Art Education For? By Sam Thorne

Ice-Age Modernism by Ian Kiaer

#10 – Cover – Ian Hamilton Finlay: All Alone 1964, typed Concrete Poem.
inside:

Editorial (CA) Notes on an Underground Anthem: Die Gedanken sind frei (with additional text by Christian Flamm)

Excuse me, Is this the way to Hell? By Salomon Kroonenberg

The Eccentric Monk and his Typewriter: On Dom Sylvester Houédard by Alice Rawsthorn

Ultra Deep Field Image of An Object Labelled UDFJ-39546284

Sacha Craddock reviews Everything Was Moving: Photographs from the 60s and 70s,  at The Barbican Art Gallery, London, Curated by Kate Bush

Colour Alohabet (Notebook Page) by Peter Saville (1983)

Editorial (SG): Top Goon: Satire in Syria

Editorial (CA): Revisiting Kenneth Clarke’s Civilisation

#9 – Cover – Jordan photographed by Six c1976
inside:

Snapshot Memories from a Punk Past by Simon Barker, aka Six

We Celebrate Owen Jones, Architect and Designer (1809-1874)

Picpus Recipe, Rhubarb and Prosecco Jelly by Margot Henderson

Don’t Be Drab by Rachel Campbell-Johnston

Pages from Paul Thek’s Notebooks

Everyone Needs a Window by Gregor Muir

Hans Bellmer’s Love Letter translated for the first time here by Simon Wilson

#8 – Cover – David Shrigley Brain Activity

inside:
Christopher Dresser: The Early Prophet of Natural Abstraction by Simon Grant

Edward Burra’s Forgotten Photographic Album by Simon Martin

What Can a Sculpture Be? Ben Tufnell reviews United Enemies: The Problem of Sculpture in Britain in the 1960s and 1970s at The Henry Moore Institute in Leeds.

Love in Three Languages by Jennifer Allen

Michel Majerus (1967-2002) by Jordan Wolfson

The Spanish Holocaust by Carl Williams

#7 – Cover – The Great Fire of London 1666, from a 17th Century woodcut, English School

inside:
Steven Connor: On Smoke

Eve Peasnall on Dora Maar’s Weeping Woman in a Red Hat c1937

The Origins of Tom and Jerry by Alan Borg

Smoke: A Poem by Pele Cox

Editorial (SG) The Blacky Picture Test

George Bataille on Edouard Manet – extracted from the book by Skira 1955

Paul Nash’s Wittenham Clumps by David Fraser Jenkins

The Wonderful World of Giovanni Battista Bracelli’s Bizzarie

A Thief Responds  by ????

#6 – Cover – Lucy McKenzie, Cat Woman (2011), coloured pencil on paper

inside:

Titus Boeder on the Extraordinary Post-War Japanese Photo-Books

Bice Curiger on Tintoretto (1518-1594)

Henri Gaudier-Brzeska’s Knuckle-Duster by Paul O’Keeffe

Of Blue Mould…

I Know Where I’m Going:  The joy of Emeric Pressburger’s opening titles by Alice Rawsthorn

George Henein and Egyptioan Surrealism by Kaelen Wilson-Goldie

A Letter to a Thief, by John Berger

Bella Pacifica: Bay Area Abstraction 1946 to 1963 reviewed by Jonathan Grifin

Lifeless and Pointless: John Lloyd on Marc Quinn

#5 – Cover – The Macaroni. A Real Character at the Late Masquerade 1773. Etching by M. Darly

inside:
Gravity Moves Me by Tom Burr

Democratic Dandyism by Roger Cook

Entartete Uncovered by Saha Rossman and Kriszrina Hunya

Spartacus Chetwynd on Reign of the Fleas

David Carr 1915-1968: Painter and Collector

Sam Thorne on Luigi Ghirri (1943-1992)

Uncanny Tuesday  by Jon Thompson

Burning Theatres and Film Breaks by Alexandra Leykauf

Charlotte Posenenske (1930-1985) Manifesto First Published in Art International, May 1968

A Great Number Saskia Draxler on the art of Heimo Zobernig

#4  – Cover – Arthur Lushington Vipan (1914-1944), Squadron Leader RAF (Pilot Bomber Command) c1944

inside:

"Unfit Memorial” The Proposal Over Bomber Command Tribute by Ronald Asprey

From Bagism to Bombs by Carl Williams

David Ekserdjian on The Four Disgracers

Monument to Ninette by Suzie Gauntlett

A Remedy Against Blight and Mildew: Ray Magazine by Andrew Wilson

Konstantin Melnikov’s Cylindrical House by Ian Kiaer

Jean Genet in Norfolk by Marc Camille Chaimowicz

#3  – Cover –  Anonymous photographer c1889 from the collection of Thomas Walther

inside:

Editorial (SG): The Accidental Masterpiece (discussing the cover image)

Joseph Grigley finds his pit-stop paradise.

Carved Stone Balls by Murdo MacDonald

Reclaiming Haiti’s Heriatge from the Rubble by Natasha Garnett

Portraits of a King by Alastair King

Vache Concrete or Ten Years of Events Within a Contemporary British Art Gallery as Scripted by Itself by Mark Leckey

Editorial (CA): On the work of Anthony Gormley

Performance Night at the Thinkery - A Story by Sally O’Reilly

Trapped by Your Desire – Sassa Trulzsch on a rare film by Sigmar Polke

#2  – Cover – Isa Genzken with “Schuft”, Bad Oldesloe, Germany c1960

inside:

Extract from John Varley’s Zidiacal Physiognomy (1828) discussing William Blake’s drawing Ghost of a Flea (c1819)

Sentiment de Fer by Martin McGeown

Peter Peri on Nikolai Fedorov

The Old Mine (1985) – A short story by Ian Breakwell

Haute Sculpture: Andreas Schlaegel on John Bock

Senior Citizens Magazine reviews Anish Kapoor

Thutmose: Egyptian Sculptor by Antje Majewski

Michael Bird reviews: The Dark Monarch: Magic and Modernity in British Art

Electrifying Reverie: Michael Bracewell review Marc Camille Chaimowicz at Secession, Vienna.

Dying for an Idea – Thoughts on The Sacred Made Real by Rowan Somerville

A  pyrograph drawing by Michael Landy

#1  – Cover – The grave of artist Henri Gaudier-Brzeska at Neuville-St-Vaast cemetery, France

inside:

A woodblock print by Sacha Craddock

Christian Flamm on William Nicholson’s Alphabet, letter P

Ian Hamilton Finlay responds to Waldemar Januszczak

Philip Gumuchdjian on Le Corbusier’s at Ronchamp

George Sitwell on Sacheverell and Cecil

Mark Inglefield on Julian Maclaren Ross

Keith Coventry: Art at the Olympics

Alessandro Raho on Vincent van Gogh

Editorial (CA): The Origin of Picpus

Silky Bisque by Mark Hix

Pablo Bronstein: Scrap Centrepoint

Editorial: Marc Antony is Dead

Travis Elborough reviews ‘Rank: Picturing the Social Order 1516-2009’ at The Grundy Art Gallery in Blackpool

Merlin James: ‘Sex and Picture Framing'

Kitty Kraus: Dekaputcapitalization

Klaus Biesenbach on Henry Darger